HIRING A PUBLICIST? READ THIS FIRST…

by  This post can be originally found here

So, you’re the next incredible brand on deck and you’re ready to hire a publicist? Read this first:

Know exactly what a publicist does.

A publicist/PR pro is a public relations practitioner. And, public relations is the art of influencing public perception using strategic communication. “PR” is commonly used to describe the practice in general, not the practitioner. If your potential publicist refers to herself/himself as a “PR”, run.  It’s the equivalent of Metta World Peace saying he is a basketball. He didn’t say that, by the way.

Side note: Publicists don’t like to be called publishers either, unless in the rare instance he or she actually publishes books too.

A breakdown of a publicist’s tasks include:

Creating exposure: Your publicist should craft or oversee your Electronic Press Kit (EPK). Draft press releases to announce news worthy happenings. Pitch you to media and schedule interviews. Scan the media for new mentions of your brand, negative or positive.  Oversee your image and have a good relationship with a fashion stylist. Manage, plan or review your social media activity. Coordinate photo shoots and video shoots. Assist you on the red carpet, but not actually pose for photos with you. Assist with speeches. Plan events and press junkets. Make sure your branding is cohesive.

Brand protection: He or she should conduct media training for your print/radio/TV interviews. Manage a crisis, if one arises. Think Olivia Pope. Or, Judy Smith. Although most PR pros don’t soley specialize in crisis management, they should have a working knowledge to craft an effective plan in case you ever need it.

What’s your budget? 

Now, that you understand publicists aren’t hired to put your name on a list at a party, pick up your laundry or babysit your kids… know your BUDGET. Before you go to a car dealership, you have an idea of the amount you want to spend. Do your research before meeting with a publicist to avoid wasting your time, and theirs. If you want to hire a big time agency– who may actually assign a first year account executive to your account– expect to pay at least $10,000 per month as as minimum rate. Some big name publicists with boutique size firms and huge clients are also in this range.

Boutique firms and reputable freelance publicists charge around $5,000 per month on average, although more demanding clients may spend up to $10,000 per month. They may also take on a few smaller budget projects here and there if they believe in the particular brand, especially if the brand is a start-up, rookie, new artist, etc. On the flip side, corporate brands are hiring more and more boutique and freelance pros to ensure account attention and around the clock accessibility.

If a publicist is charging under $900 per month, what are the surrounding factors? Smaller geographical market? Seasonal or start up special? Scaled down services? Inexperience? Ask.

Oh, it’s not uncommon for publicists to ask professional athletes and entertainers to provide game/event tickets. It makes sense for them to observe you in your element. However, being in your element should not be a payment substitution.

Does the publicist have a passion for your field? 

Once upon a time a publicist with NFL clients asked me what a first and tenth was. That wasn’t a typo. Someone representing professional football players really asked what a first and tenth was. That’s like a book publicist asking what a book outline is. Or book hotline, to keep it consistent. Anyway, passion breeds research. Financial services & technology publicist, Samantha Savory, studies trends in the financial and tech world with the same intensity level she studies PR trends. Kristen Hopkins, who specializes in non-profit, knows her niche’s trends like the back of her hand.

It’s not unfair to ask for a fashion publicist’s thoughts on Isabel Marant’s spring collection to test their engagement level. Or, ask a sports publicist to pick Ovechkin or Crosby. If I were a musician, I would want my publicist to have a favorable opinion in my genre. Or, understand the complexity of current political issues before running my political campaign. A film publicist shouldn’t be required to have Roeper level movie knowledge, but a Varietysubscription shouldn’t sound far fetched. Regardless of the niche, it doesn’t hurt to check out your potential publicist’s tweets. If it’s truly a passion, they can’t help but talk about the subject.

Goals.

During the first meeting with your potential publicist, 80% of the conversation should be about your brand and its goals. If a publicist gives you a million ideas prior to hearing the brand’s goals, run. If you believe your brand is unique and trendsetting, PR ideas should be tailored. The publicist may have a few initial ideas, but the exciting ideas should be in the proposal you receive after the consultation. Even if the publicist knows all about your brand through research, hearing your goals is the main objective in the first meeting.

Side note: Speaking of the consultation, some publicists charge an hourly fee similar to attorneys, some do not.

Ask to see his or her portfolio. 

Don’t be afraid to ask to see their work. Even a newbie should have a portfolio with entries from internships.

Look at the types of brands included, the level of media exposure, writing skills, and the quality of the presentation. If their brand isn’t represented well, why should you trust them with yours?

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PR Pros: Choosing Clients’ Causes Carefully

By: Toni L. Rousell                   Original Post can be found here

Your advice is not only valued, as a hired PR professional, wise counsel is required.

So, how do you help your clients choose the causes they support? Being driven by emotions or going with what’s popular, is sure to be a recipe for disaster.

Discouraging clients from seeking alliance with causes they really have no sincere desire to support, or no real understanding of, should be number one priority.  It can be hard to steer them in a more beneficial direction, avoiding self-destruction of their brand, but it’s responsible and necessary.  They’ll thank you later and you’ll sleep better at night.  Throwing support to a cause they don’t truly believe in, will only lead to their support waning, which will consequently reduce the value of their endorsements as they appear “flaky”, or even unstable, in the public-eye.

Local vs. National

It can seem convenient to offer support to the largest, most visible organization when it comes to “giving-back”, but could a local organization, requiring more hands on support, be more beneficial to your client’s long-term philanthropic goals and public image?  Analyzing the organization’s mission, do results support that mission?

Local organizations will allow for your client to see the lives their efforts effect. They will be able to look directly into the eyes of those benefiting from their donations and volunteering, and will also be more likely to give to those in their hometowns who directly affected their success, which makes for excellent public relations.  This encourages a more faithful, less “fair-weather”, connection.

Alternatively, national organizations offer the opportunity for clients to give-back to multiple communities at once.  If your client lives or their primary business is based outside of their hometown, this choice would allow them to give-back to their hometown community, as well as to the new community that has embraced them. There should be no lack of effort on the client’s part to make their presence known, even when the cameras are off or not around.  A national organization will also be more likely to have consistent PR representation, affording a better grasp on public support of the cause and offering more flexible events your client can join.

Making the Commitment 

Sometimes a client desires to support organizations with a focus that may require a little extra effort for educating the public or validating the connection. Is the client truly committed? This is where your client’s genuine beliefs will come into play. The work required will expose the true intent: is it pub or love?

One example of true commitment is that of Actress Ciera Payton. Being raised, until the age of 13, by her grandmother and drug addicted (now incarcerated) father, Ms. Payton wanted to align her brand with organizations that would allow her to connect with youth growing up in an environment similar to herself: children of incarcerated parents.

But how understood is this cause?

Most children of incarcerated parents are misunderstood and, in many cases, ignored.  Many can site statistics, and some can actually admit they’ve become a statistic, but Ms. Payton’s focus is clear: share the fact that she has overcome the statistics.

By welcoming audiences in, sharing some of her most painful moments growing up in a life-threatening environment, Ms. Payton reaches those who can relate, finding those in need. She credits the Arts for saving her life, and not only commits funding, but diligently focuses on giving-back to youth facing the same battles she’s faced by mentoring.  She has chosen a mix of both local and national organizations to support, allowing her to give back to her hometown of New Orleans as well as her new home of Los Angeles.

Maya Angelou quote (pic)

PR and Publicity vs “Puff and Fluff”

While announcing the partnership, be honest with the public.  Don’t puff up your client to be more than what they are or try to fluff up their support to be more than what it is.  Instead, once the choice has been made, be sure to connect with those who genuinely share in the cause.  Reach out to those who are long-term supporters, whether celebrity or not. This will not only increase the support base for the cause, but will also strengthen your client’s alliance.  Joining forces and sharing ideas for creative support, increases public awareness and makes the difference between superficial “puff and fluff” and careful PR and publicity.

Remember, it’s the man who has more that gives more and philanthropic efforts are what keeps many in need going and feeling encouraged.  Giving back for the cameras is bound to be exposed and never worth the backlash.

Rachael Sacks: Why PR Pros Are Different Than Publicists

By Shawn Paul Wood This post can be found here

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Forgive the headline. This nitwit does not espouse the definition of why PR pros are different than publicists. Rather, she is the proof in the proverbial pudding splattered all over her dress.

I have often aforethought a contentious opinion on the said difference between PR pros and publicists.

Full disclosure, I — as well as almost 90 percent of the media — loathe publicists. And if you check my LinkedIn profile, I’ve been one to some major domos out there, so I can share this. Why the vitriol in the industry? The aforementioned example. They make PR professionals look bad. I have a theory, so kids, hold your ears. The difference between a PR pro and publicist is like a pimp and his ho. One works for it, strategizes the right area for it, and knows how to bring in ROI for it. The other…well, just shows up. Enough said?

That said, thanks to the New York Post, meet Rachael Sacks.

Here’s how self-avowed wealthy college brat Rachael Sacks responded Saturday after her online essay, “I’m Not Going to Pretend That I’m Poor to be Accepted by You,” earned her Page One notoriety in the best paper in town.
“I don’t even have a publicist yet,” exclaimed Sacks, whose doctor dad back home in Maryland is footing all her bills as she pursues a writing degree at the New School.
“Maybe I’ll get a publicist, I don’t know,” she mused holding up The Post and smiling as she flipped the bird to haters. “People are suggesting that to me.”

So, sans an introduction to celebrity fandom via the night-vision tape (Kim Kardashian, we see you), this pre-pubescent dolt thinks he answer to fame is having someone schlep around to get her on TV and radio.

And that’s what is wrong with PR — the publicist.

Any dolt with Mommy and Daddy money thinks being a publicist means you have arrived. No, a publicist means they haven’t arrived. You think what they do is work? They represent someone famous, and after fetching said starlet’s dry cleaning and sex toys, they call a local radio station and say, “Hey, I have this chick. Wanna talk to her?”

Of course the answer is a clamoring, “YES” and a PR-ish career is born. The minute PR professionals can stop confusing publicists actions to what we do, the better off we will be as an industry. And publicists, if you want to join the real world, call us.

Then again who could blame you? You get drive cars that aren’t yours. Fetch clothes you can’t afford. Shill for people who don’t deserve fame in hope you get a cameo on some dumbass ‘Bravo’ show.

Maybe being a publicist is the way to go after all. Hey, Rachael? Call me.

PR pro: Don’t call us marketers

By Kevin Allen The original post can be found here
Earlier this year, I published a piece that may have suggested that PR is a “fallback” career for journalists. The piece garnered 50+ comments; clearly, some PR folks are easily offended.

List Brian Kilgore among the easily offended. He recently penned a piece for The Huffington Posttitled, “Don’t Insult PR People by Calling Them Marketers.”

The offending part is the Globe and Mail, which called CBC’s new boss a former “marketing and public relations executive.”

Marketing and public relations are different, Kilgore asserts.

The piece is actually more of a 101-level “This is what PR is and this is what marketing is—see, aren’t they different?”

I think Kilgore seriously mischaracterizes the approach of a modern brand. Social media has changed everything. The most successful brands don’t function within an old school model under which PR, marketing, and advertising function in their own silos and it’s up to PR to pitch journalists.
Sure, you can still function in that model, but a coordinated approach—with PR, marketing, and advertising functioning as fingers in a fist, with social media as the thumb—can spark much more influence than any department working on its own.

PR people shouldn’t be offended by being perceived as marketers any more than marketers should be offended by being seen as public relations pros. We should all recognize that the lines are blurred in the new paradigm—it’s only when the efforts are coordinated that the best things happen.

Pros and Cons of Keeping Your Personal and Business Social Media Life Separately

Posted by  to Social Media

Somewhat recently I have been seeing a trend developing with professional accounts on social media sites. They have been becoming more personal, and that line that was once so clear between personal and professional life is being blurred. People are even inviting their clients, bosses, coworkers and professional contacts onto their personal social media profiles. Something that was extremely rare in the past.

Does this signal a change in how we view those two part of ourselves on the web? Is it becoming more natural to combine the professional and personal into a single world? Or is it just a coincidence?

For the most part, I believe it is a personal choice. So let’s look at some of the pros and cons of keeping your social media professional and person lives separate.

Duplicate Original

Pro – You can be open without fear of offending a professional contact.

We are all more open with our views, likes, dislikes and opinions on our social media profiles when they are only personal. Some are a little too open, as a matter of fact. But that is your right, as it is your own space where you are free to discuss anything you find appropriate. When you allow people from your professional life to take part in that space, you are more limited.

You have to watch what you are saying and posting, and have to keep in mind that what you would say to your buddy isn’t the same as you say to a client. It also leaves you unable to rant, which is a good way of occasionally blowing off steam. After all, do you really want your boss knowing he made you angry when he spoke to you about proper image for having a crooked tie with a booger hanging out of his nose? Probably not.

Con – You have to have two accounts.

Let’s be real: maintaining more than one social media account takes a lot of time. Which doesn’t stop us, of course. I will bet you have a profile on several different platforms that you use on a regular basis. But that doesn’t stop it from being a bit of a hassle, and with a professional and private account each? Well, that just adds a secondary account to every social media site you sign up for. That means you will be twice as busy trying to keep track, unless you use a program like a social media dashboard. In which case, you have to be careful not to confuse.

Double

Pro – You won’t be held professionally accountable for your personal views.

Most of us like to be able to freely express ourselves on other sites. Sites which are generally signed into using social media of some kind. By having two separate accounts you can freely comment without it being linked back automatically to your professional persona. Of course, this isn’t always the case. We have seen many examples of people who have made offensive comments on the web under personal accounts and had it traced back to their professional one. But hopefully you won’t be trolling sites or saying anything outrageous or cruel anyway. As long as you are a rational human being, you will probably be fine.

Con – You are splitting your target audience.

I can’t tell you how many times I have had a personal friend or family member share out my content to their massive lists, with a personal recommendation. Which ended up bringing me much more visibility and a surge in visitors for the day. When you have two accounts, the likelihood of this happening is slimmer. Which means you are effectively cleaving your audience in half, and missing out on the opportunity for sharing through people you know face to face.

Meeting In The Middle

In my opinion, the best thing to do is meet in the middle – which is to say, I think you should choose what side works best for you, while recognizing the difference between social media sites. For examples, LinkedIn is for professional use rather than personal as well as Facebook is rather for your personal life (yes, many people won’t agree with me here). So sometimes you won’t have to figure if you need two accounts. YouTube is likewise a good one for professional use, as you are unlikely to need a personal account for commenting. Or Pinterest, which is a fantastic place to merge both the professional and personal with little risk.

How do you handle the separation between those two parts of your life on social media? Let us know in the comments!

16 networking mistakes that can derail your career

By Jim Dryburgh This post can be found here

Networking is a skill that can help you develop long‐lasting business and social relationships.As with most skills, you can network well or poorly—perhaps to the detriment of your career.Here are the 16 most common networking mistakes to avoid:1. You think you don’t know anyone.

You are connected to more people than you realize.

Take 10 minutes and write a list of past and current work colleagues, industry contacts, friends, family and acquaintances. You will likely be surprised by how many people you know. Store these names in a file and add new people as you meet them.

Once a month, go through your list. Call at least one person, and email three. The key is to stay in touch. Find out what’s new with people personally or professionally, react to news in your industry or set up a lunch. Put a note in your files to remind yourself what you talked about.

Now check out some social media sites such as Facebook, Twitter, and LinkedIn, which are powerful ways to expand your network. If you have a blog or website, check out who’s been corresponding with you lately.

Continuously reach out to new people and you’ll see networking possibilities grow.

2. You wait for a reason to network.

A network is a social and business resource that you must cultivate and nurture.

Your network supports and sustains you in good times, but is the key to your survival in bad times. Too often people start networking only after they need something. Imagine a friend or relative who only calls when he needs money. Do you take his call? Do you look forward to hearing from him?

Effective networking means creating contacts and relationships now. Dig your well before you’re thirsty, as Harvey Mackay says.

3. You fail to create a networking script.

Avoid fumbling and stammering for the right words by practicing what you’re going to say about yourself, your job or another topic of interest.

Practice it. Practice smiling as you say it so people get a sense of excitement and energy about you. Then think about questions that might come up and how you’ll respond.

Whether you call someone or talk in person, consider what you want and what you can realistically expect from the person. Think about the purpose of your conversation—is it to find out information or seek other contacts? Being clear about what you want will be a more effective use of everyone’s time, and will create a better impression than a rambling speech. Be aware that the person may not be in a position to do much; be gracious if all he can offer are ideas, advice or experience.

Requesting a job isn’t appropriate at this stage, and may result in you losing the contact. For networking emails, be personable and upbeat, but make sure your tone is appropriate to the person you are contacting. For example, don’t go into networking mode if you are just reaching out to an old friend.

[RELATED: Ragan’s new distance-learning site houses the most comprehensive video training library for corporate communicators.]

4. You’re unprepared.

Thinking you know what you want is not the same as knowing it.

Treat networking the same way you would an appearance at Carnegie Hall. Practice your pitch as well as your answers to questions that might arise.

Knowing what you want to get out of a conversation will make the best use of everyone’s time. Do you want a new job? Sales contacts? Information about a competitor?

If you don’t know what you’re after, you’ll either embarrass yourself or walk away having accomplished nothing.

Do your homework and plan ahead to avoid arriving unprepared. If you’re meeting with someone or attending an event, know why you are going and the types of people who will be there. Research specific contacts who may be there and prepare some conversation topics ahead of time.

5. You talk about yourself too much.

When networking, listen to what everyone else is saying. People help by offering advice; they’re not interested in hearing how much you already know.

While a big part of networking is marketing yourself, it’s important to know where to draw the line. Give others some room to get a word in. Prompt them to tell you a little about themselves. This way, not only will they feel like they are part of the conversation, but you’ll learn a little about them. The more you know about them, the more you’ll know what they can do for you, and-brace yourself-what you can do for them.

6. You monopolize someone’s time.

At a networking event, everyone wants to mingle and meet different people. Although making a connection with someone and getting into an interesting discussion can be a great experience, you should keep conversations at networking events short and sweet.

If you’re networking over the phone or by email, remember that the person you’re speaking with has a life beyond you and your needs and interests. A good rule of thumb is that if the person is carrying less than half of the conversation, it’s time to move on.

7. You lack etiquette.

Etiquette can extend from table manners to punctuality to your approach to social networking. If you think people don’t notice, you’re wrong. Committing this blunder is self-destructive, so mind your manners!

There are a number of things that violate networking etiquette:

  • Showing up late.
  • Interrupting people when they are talking.
  • Talking for an extended period of time about yourself.
  • Not asking other people who they are and what they do.
  • Barging into a group when it is clear they don’t want to be disturbed.
  • Blatantly looking for the next person to talk to.
  • Drinking too much.
  • Talking with your mouth full.
  • Not keeping your emails and your social media profiles professional.
  • Sharing a person’s contact information without his permission. (This is a huge no-no that will quickly land you a top spot on the blacklist. Always check with people first, even if you’re doing them a favor.)

8. You forget to bring business cards.

In one of his books, Jeffrey Gitomer argues that the main purpose of a business card is to get the other person’s card. When you hand people a card, they usually want to do the same. The key is to get their cards so you can respond after the meeting with a note that connects you and the conversation you had.

Always carry business cards with you—especially if you’re attending a networking event. It’s unprofessional to give out your contact information on a scrap piece of paper or napkin. Doing so may discourage a contact from getting in touch with you in the future.

9. You have an unprofessional email address.

Your friends may know you as “Daddys1Girl,” “HotStud4U,” “Cougarlady” or “RumAndCoke47,” but when you’re building a network, use a serious email address—preferably one with your real name. And when you use this email address, make sure you have a complete signature at the bottom.

Make it easy for people to remember and contact you later. Your email, LinkedIn profile and standard messaging are key parts of your brand. Consider getting a website and using your email as the address. You can do this for the cost of one business book, and it’s another way to expand your brand.

10. You forget you only have one chance to make a first impression.

Dress sharply when you attend an event. Give firm handshakes, stand up straight, make good eye contact, repeat names back to the owners and show respect to everyone in the room. Never say anything negative about any person, event, company or organization, regardless of your personal views.

Remember that a networking event can be like a first interview for your next job, but no one will help you get your foot in the door if you put forth an unprofessional or negative attitude.

11. You don’t know how to work a room.

Men and women with contacts and power meet many people, but they only remember those who stand out from the crowd.

If you “just aren’t very social” or if networking “just isn’t in your personality,” then be someone else for the networking event. Be assertive and act like a leader you admire. How would your hero handle this situation? Communicate self‐assurance and confidence. Don’t let your introverted preferences get in the way of building the network or career you want.

The good news is you can learn how to network. The news you probably don’t want to hear is that in today’s communication‐driven world, just about everybody has to do it. There’s no sense trying to avoid it.

12. You don’t ask follow-up questions.

If you’re networking for a job opportunity and someone says, “I wish I could help you, but I don’t know of any openings right now,” take a minute or two to ask some follow-up questions:

  • What’s the outlook for the future?
  • Do you know anyone else in the industry who might have something?
  • Do you have any thoughts on what my next step should be?
  • Who would you contact if you were in my shoes?

Follow‐up questions show interest and may help the person you’re networking with come up with ideas he might otherwise have overlooked.

13. You lie.

Would you ever recommend someone who you knew stretched the truth?

A wise man once said, “Always tell the truth. That way you won’t ever have to remember what you said.”

It’s tempting to say, “So‐and‐so gave me your name and told me to call.” It might even get you a meeting. But eventually such‐and‐such will learn so-and‐so did not tell you to call, and you’ll have burned not one, but two, bridges.

Building relationships is all about building trust. If you don’t trust someone, you’ll hesitate to contact him when it’s time to make an important business decision. You don’t want someone to hesitate about you.

14. You don’t follow u p.

You’ve gone through all the trouble to make a contact, so why let it go to waste?

You need to follow up after every meeting or job interview to reiterate your interest and ensure you remain at the front of the person’s mind.

Remember, people are busy, and you probably aren’t their top priority. But they are your top priority. Make sure they know it.

Always thank a contact for her time and advice via a handwritten note or follow‐up email or call. Let your contact know whether her suggestions panned out. You may think your networking is over, but your paths may cross again.

Don’t be afraid to get back in touch with someone. Send her an article or notice of an event that might interest her. Keep in touch through social media or drop her an occasional email telling her how you are.

What goes around comes around. Follow up with contacts who helped you. Keep them up‐to‐date about the company you are now working for or whether the information or leads they provided you were helpful.

This will help you to maintain people as contacts in your network, and allow you to return the favor when they’re in need.

15. You don’t tie up loose ends.

Too often when people in your network help you and give you the opening you need to achieve your goal, you think “It’s finally over.”

Not quite.

After any business meeting, you should document what actions people committed to—particularly you. In most cases, sending a note regarding your commitments will make you look professional and competent. You will probably need those people again in the future.

Write the person a thank‐you note for her help, and let her know what you ended up doing. Don’t just do this for the person or people who helped you find a job or a client. Do it for everyone who offered to, as well.

16. You don’t pay it forward.

Networking is a two-way street.

If you reach out to your contacts every time you need a something—a job, sales lead or favor—without ever giving back, people will stop being so willing to help. A good networker is ready and willing to help their contacts whenever they can.

Did you meet someone who would be a great contact for your colleague? Introduce them! Do you know of a job lead that might be perfect for your contact’s unemployed son? Hook him up!

If people see you as a resource, they’ll be more inclined to nurture and maintain the mutually beneficial relationship.

If you know what not to do, you can network with purpose, add value to your network and become outstanding at the art of networking.

Jim Dryburgh is president and founder of The Balanced WorkLife Company. A version of this article originally appeared on Careertopia.

Video Catches Publicist Rudely Denying Interview

By Matt Wilson  This post can originally  here

Big events where PR pros accompany clients can be really stressful. Sometimes, the pressure can have an adverse effect on one’s mood.That seems to be what happened to ID PR’s Bryna Rifkin, a publicist for stars including Jennifer Lawrence, Julia Louis-Dreyfuss, and Michelle Rodriguez, among others, at this year’s Toronto Film Festival. As she accompanied Oscar winner Marion Cotillard down the red carpet, French-Canadian reporter Catherine Beauchamp asked for a quick interview with the actress.Rifkin shut the reporter down with a heaping helping of condescension, and it was all caught on video:https://www.youtube.com/watch?feature=player_embedded&v=SxtbBeFPcno

When Beauchamp says she was told she could ask one question, Rifkin replies: “Nobody told you that. Either way, I’m saying no.”
Rifkin’s rudeness has made her the center of the story. Business Insider called her smirk near the end of the video “cringe-worthy” and Defamer commented, “Let’s hope this behavior doesn’t continue.”

Reporters can seem like pests sometimes, but they’ve got cameras and recording equipment. If you swat one away, odds are you’ll see or hear a recording of it somewhere online soon after.

Instead, as the song goes, “try a little tenderness.”

Sold Out Summit Brings Women In PR From Around The Country

After a successful, sold out, intense, but very educational Women In PR Summit in Houston, Texas at the Doubletree Suites Galleria.

Women In PR is known for providing a way for students and professionals to learn what it will take to succeed in the public relations industry. Many PR professionals have been eager to give back as a keynote speaker or participating on the panelist.

This year the summit was about the business of PR. Topics that were discussed was everything from social media profiles to how to find sponsorship money.

A highnote was Nicole Garner of The Garner Circle who gave the closing keynote address Running In Heels. Providing tips on how to be successful in the beginning and how to become the publicist that you imagine yourself to be.

This year panelist included Cher Jones, the social media guru, Ruth Ann Wiesner of Raw Marketing, Aerial Ellis and Perri Dugard-Owens from Dugard Ellis, Raven Robinson of PR2Politics, Julie Griffith of J.Griffith Public Relations, Kristi Jackson of Women CEO Project, La Shawn Thomas of Miami Entertainment Law Group and many more.

Women In PR is glad to announce the next Summit will be in Chicago in August 2014. With the continued success of the summit we are ecstatic to go to the windy city next year. Women In PR passion is to teach what can’t be learned in the classroom but by real life experiences.

For more information about the Women In PR Summit http://www.wiprsummit.com

Co-Founder of WIPR Anje Collins and Attendees

Co-Founder of WIPR Anje Collins and Attendees

Co-Founder of WIPR Anje Collins and Attendees
Keynote Speaker Nicole Garner of The Garner Circle

Keynote Speaker Nicole Garner of The Garner Circle

Panelists Kristi Jackson of Women CEO Project, Ruth Ann Wiesner of Raw Marketing, Anje Collins of Women In PR, Julie Griffith of J Griffith PR and Perri Dugard Owens of Dugard Ellis PR

Panelists Kristi Jackson of Women CEO Project, Ruth Ann Wiesner of Raw Marketing, Anje Collins of Women In PR, Julie Griffith of J Griffith PR and Perri Dugard Owens of Dugard Ellis PR

HOW TO WRITE SO EDITORS DON’T HATE YOU

 

This post can be found here

As a writer, it pains me to say that I don’t always know exactly what people will gravitate to and read, instead, I try and identify the type of story a publication would choose to print, or not. While editing yesterday evening,  my frustration became so intense that I recalled  a post from Women in PR, “PR Pro habits Journalists Despise”,  which prompted me to write this piece. The WIPR post stems from Katie Burke’s “S%*t PR People Do That Journalists Hate”.

Now, I’m no Katie Burke, but as a young editor, I feel compelled to express the s%*t writers do that makes me hate them.

1. Write with purpose.
There is nothing worse than being handed an article with all the meat but no veggies or complex carbs. We’re hungry for compelling material, so make a healthy balanced meal out of it. Create a general outline of your story, then decide on its purpose.  If you are having a hard time populating your outline, that could be an indication to either, choose a new angle or trash the story.

2. Ditch the question marks.
Only ask a question when it is a legitimate one.
How would that make you feel? Could this path be for you? You as a writer should write to make me feel, however that I should or convince me that path is my destiny. Stop the “what if?” madness and give us all something to chew on.

3. It’s all about me.
If you are writing a narrative, by all means, recount your journey and experiences, but if your article is supposed to be about herbalism or the history of pancakes—which is quite interesting if I may add—don’t make it about you. It seems it takes an eternity to turn those egomaniacal comments into quotes or supporting facts. I don’t know about you, but who wants to take an eternity on anything.

4. Going comma crazy.
Gone are the days of commas and semi-colons. When appropriate,  connect long thoughts, with a long dash. The article will appear more neat overall.

5. Pay attention.
Review the general writing style of the publication you are submitting to. If the articles don’t contain bullet point lists, first person narrative or funky fonts,  don’t bother sending your story over in poor shape. Great writers have the supreme ability to adapt, don’t be afraid to show off.

6. The guessing game.
Don’t write as if you were talking. Your ideas should be communicated clear and concise, so they won’t be misinterpreted. Also, avoid the use of seemingly common phrases—no one wants to Google every quirky thing you have to say, to determine if it’s tasteful.

7. Act like a writer, think like an editor.
Friendly and accessible writers, that are understanding and genuinely open to improve, get first priority in my book. These writers win you over with their persistence, charisma and of course, precise writing style. Before you have the chance to ask, they already have the answer—be it a quote, supporting graphic or the occasional reminder that any piece they submit comes with a “no piss off” guarantee.

Writers and editors, what are some other things that drive you crazy? How can we fix them?

Fancy Yourself A Fashion PR Girl?

by   This post can originally be found here

 

Ah fashion PR. Ever since the the high brand fashion PR girls (you know…the fashion media goddesses, such as the almighty OscarPR girl/Erika Bearman…) decided to publicly tweet, blog and Facebook away about her job antics..with you know the “usual” 9 to 5 agenda,  the casual name dropping of celebs, the oodles of international trips and champagne swilling parties, a career in Fashion PR has never before looked so (in the worlds of the immortal Coco Chanel) “classy and fabulous.”

The success of popular reality TV shows like “Project Runway,” “Kell on Earth” and “The City,” have also inspired many public relations students and recent graduates to break into the world of fashion PR.  But one must remember that all these lavish ladies such as Whitney Port, Olivia Palermo, Anna Wintour, Grace Coddington… they are at the peaks of their careers. And before you can even think of sipping some martini’s at a high end Monte Carlo fashion bash or hailing that yellow cab in New York City, you may have a long and laborious ladder to climb first.

So what does a PR do exactly? Since publicity is free, a fashion PR company or executive would be responsible for; building relationships with the press (they basically have to make friends with fashion editors, writers and journalists so that these people will write about/feature the product); organising and managing guestlists for promotional events; gifting (sending free product to key editors or celebrities in the hope that they’ll use or write about it); writing, distributing and following up on press releases and press packs; dealing with requests from the press and celebrity PRs; and reporting back to clients on the publicity they’re getting for the brands. PR Reps also help maintain the public image of the brand. They may help with marketing initiatives, or photo shoots, or just maintain the overall perception of the brands mission and image to the market.

So like any other sector in the media (such as journalism for instance) fashion PR is becoming more and more competitive because of how popular culture is depicting is as one of the most charismatic and glamorous jobs in the fashion industry. All the fashion aesthetic and pleasure without the hardcore and challenging sewing/design work. And of course it can be all these stylish things, but only in good time. One must be be prepared to start from the bottom and become acquainted the pains, pressures and hard work that will in due course put you on the winding road towards PR success. So, still fancy becoming the next Gucci PR Gal or Lavin PR Lady? Darlings, go get yourself a notebook and please be ready to take note…

Here are some essential pointers that could assist you onto conquering the yellow brick road of a Fashion PR career:

1. University degree: If you are lucky enough to live in the metropolis of London you may be able to just study for a college diploma in Fashion or for your A-Levels and brave the world of fashion by falling straight into internships. However most Fashion PR wannabe’s will consider doing an undergraduate degree first just as educational insurance in case this becomes a requirement later on. Regarding the academic discipline of your degree it be anything you wish. Still most successful employees in the PR industry usually have an undergraduate degree in the following areas: Journalism, PR, Media studies, English, Fashion, Marketing, History etc. If you don’t have a degree in these disciplines it may still be possible for you to pursue a career as a PR associate however you may need to do some independent research/work to put you up to scratch with the others. I suppose if  you want it enough you will be determined to prove your worth!

2. Work experience: This is a absolute must if you want to place a foot in the first rung of that PR career ladder. While employers aren’t so fussed on your degree discipline, nothing in the world beats hands on experience on the job. When you do your work experience however is entirely up to you. Many students who do a sandwich 4 year course at university will opt to do an industry placement as part of their course. Other students who follow through with more traditional degrees like English may have to do work experience alongside their studies and attempt to balance it out. The best advice is to gain some sort of work experience in the first or second year of your degree so you can concentrate getting the very best marks in your last year. And if you live outside of London where many of the placements and internships are, be prepared to plan ahead and email in advance to avoid nasty surprises of clashing dates and availability!

3. Finding work experience: Finding work experience has never been so easy in this day and age. Long gone are the days were we would have to write letters and deliver them by snail mail post, now we have the world wide web at out fingertips. Sit down with a brew and scour through job websites such as FashionMonitor.com and FashionJobs.com to keep up to date with the latest internship and work placements as and when they happen. And do not just limit yourself to search engine websites. The social media era has now become pervasive with everyone, in every country and with every age. Even your Grandma has probably got a Facebook account and is probably in more tagged pictures than you are. So instead of just using Facebook and Twitter for talking to your friends use it for tracking down companies and employers!

4. Twitter, the biggest social network of them all: Never before has Twitter been in demand so much. Many find it an unfamiliar social media to begin with but once they have sent a few dozen tweets and gained a few followers, it has never become so addictive. You find yourself hash-tagging everything in virtual sight. So if you find yourself on Twitter more times than you would like to admit, use that internet hovering to good use! Track down other who are in similar positions to you to ask for advice, tweet companies directly asking for work placements, follow important people in the industry who might be able to get you a job and reply to their tweets as friendly as you can, in order to show an interest…believe me in the end you will be rewarded for your research and friendliness!

Nonetheless even though Twitter may have its advantages, I’d advise also to be wary of what you voice on there. Unlike Facebook, Twitter has less privacy settings regarding your personal information so don’t write anything down on there you would not want a prospective employer to see.  But all in all, regarding PR placements and internships, Twitter is thee place where they are most regularly advertised. All day every day. You never know when Jonathan Saunders may need an assistant or if Henry Holland  requires a few dozen interns. You just have to be at the right virtual place at the right virtual time…

5. Blogging – As a PR student it might be an idea to show an interest in your area of work by writing a fashion blog. Fashion bloggers have really made their mark in recent years and because of their willingness to write fashion/beauty reviews, articles or whatever interests them they have ended up landing secure PR jobs and placements because of that blog. An employer for instance would gain a brilliant insight into your personality and a taster of how much you want a particular role or how you would fit into the philosophy of their company just through looking at your blog content. And never fear if it’s not as good as some of the other “big bloggers” blogs. Employers will be able to see through that facade of how many “followers” and “comments”  being tantamount to your “success.” It is sheer nonsense. Evidently if you have hundreds of followers then that by all means is fruitful. BUT they will appreciate content over the social factors of it. Blogging after all is not a popularity contest nor should it be enthused to be so.

6. Gaining work experience: Congratulations on getting a placement! But this is were the hard work begins. You must ensure you are punctual for your first day in order to set a good impression. Be friendly, appeasing, willing and approachable as the team you are working in will appreciate those qualities. As it’s fashion PR they won’t expect you to dress so corporal so feel free to dress to revel in your own normal attire. Nonetheless remember it is a fashion placement so be sure to adhere to particular style that will get you noticed for your creativity or wear certain trends you know to be in vogue to stress that you are indeed “style savvy.”

Sadly you may be making tea, photocopying, sitting at a desk, liasoning, answering the phone, on Excel etc on your first day but don’t feel disheartened by this. You must take it on the chin and continue to smile. What did you expect on your first day? That’d you be whisked away with a senior member of staff to eat danish pastry The Savoy or to go to an exhibition in Paris? Of course not. So remember to use your time to observe productively. See what other employees are doing. Ask them questions on how they got their role or to show you how to function particular software or operate different tasks. As a result you will be appear an interested and eager individual and more likely to be remembered for all the right reasons instead of sulking in the corner like a diva. This may be a job in the fashion industry but it gives you no right to appropriate “model behavior” akin to that of Naomi Campbell.

7. After the work experience: YAY you have survived your first tests of PR Fashion girl work. Now what? Well the experience should have taught you whether you feel that PR would be the right career for you or not. If it is and you imagine yourself in your mind as the next Olivia P then you should be focused on securing your next placement. However that does not mean you should disregard the first company that took you under their wing. If you had a really productive time, perhaps suggest an opportunity for working for the employer again in the next few months? Perhaps write down the names of the contacts you have made and ask whether you can keep in touch? Remember networking is crucial to the fashion industry and by regularly tweeting, writing emails and referring to a previous colleague who knows what that person could do for your potential career prospects? One day you could work with someone who knows Kate Moss, Lily Cole or the editor of a big fashion magazine. What I’m saying is that without networking, if you never ask, you will never know! I’d particularly stress making a LinkedIn account to, a social networking site designed for professionals. (www.linkedin.com)

These tips then are just the basis to springboard your career into the fashion PR industry. These points would probably be the most traditional of avenues but don’t feel you have to completely adhere to it. Most PR employees have diverse and wide ranging backgrounds of how their secured their jobs in the industry which makes it all the more interesting, attainable and reassuring to us who may be apprehensive or nervous about whether we can succeed! Still, it would not hurt to take this advice on board to know what you are up against. As a person you need to be (like with any other career in the fashion industry) determined, hard working, willing to work long and unconventional hours, fashion conscious and knowledgeable, adaptable, passionate, calm under pressure, have a range of interpersonal skills and most significantly of all, be confident. Fashion is a industry full of strong willed characters therefore it is essential that you raise your voice high and proud to have it heard. There are no quiet or mousy plain Jane’s in this field of work. Oh no. Only a parade of colourful and loud characters that bring personality and essence to a brand. Candidates of the highest style calibre if you please…

So the question is…could you then be the next OscarPR girl or a Lagerfeld lass? Oh Reality TV watch your back or indeed watch your production budget…because slowly but surely they’ll be a new influx of PR girls swarming into town…